No one knows, and that's OK: Speech Night :)

Recently I was lucky to be asked, via the brilliant Rachel Botsman, to say a few words at the conclusion of the school year. A traditional evening of speeches and awards, of dux and mensch, of beautiful music, welcoming parents and unexpectedly funny teachers. It was, how shall I say… so much more than I had expected. I also didn’t expect to be asked to share my little speech. But, here is it is. (I have removed the swearing).

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Why Diversity Can Be Nonsensical + How to Push Inclusion | | Eye on Design

Her talks at these events are often gloriously tangential meanderings, yet Google Creative Lab and their workings remain something of a mystery—entities that are ever fascinating, yet enduringly hard to describe. Many of the projects are internal, meaning the ones we hear about are the wide-ranging collaborations with cultural organizations and practitioners. The Creative Lab’s overarching aim is to use Google tech and resources “to enable artists, writers and performers to look at new ways in which we can use all these remarkable digital tools to make art, theater, and music.”

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It's Nice That | Google’s Tea Uglow’s Bookshelf includes “Second-wave cyberpunk” and “print wizardry”

As someone whose career involves developing potentials for the future of reading, including books which can be “owned” and “borrowed” through the use of blockchain technology; and a novel set inside Google’s street view, both as part of Editions at Play, we couldn’t pass up the opportunity to find out which books from the past have impacted the brilliant Tea Uglow

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10 Must-Read Books To Get You Ready For 2018

A Universe Explodes, by Tea Uglow
Thanks to the ever-rising value of Bitcoin, the blockchain–a secure technology that enables transactions–is becoming common parlance. This experimental e-book from Tea Uglow, a creative director at Google Creative Lab Sydney, explains how it works in an artful format. The blockchain will likely define even more innovations in the future and mastering its underpinnings will be important.

BY @VisualEditions @impossible AND @jonnyrichards @judeosborn @KirstinSillitoe Tim Paul @_jennifernunez @EmilaYang @niccihurwitz @AnnabelBlake @hughskennedy @deborahhodotcom with guest star @andyb6

 

It's Nice That | “Coding is an extraordinary form of creativity”

Tea Uglow may have the most important job in the creative industries: to discover the tools of the future designer. “I play with technology not to create new forms of creativity but to augment and influence traditional forms of creativity,” explains Tea, creative director of Google’s Creative Lab in Sydney.
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Why do we do it after all? [Nov 16]

.. To ‘record’ the experiences of the dynamic web is like taking photos of morning dew: fragmentary and one-dimensional, unsatisfactory. The future internet, consisting of machine intelligence communicating with speech rather than all these helpful words on ‘pages’, is even tougher to pin down. Every single web experience is literally performative — a machine pirouetting through a dance of information that is unique to you in that moment and then lost forever.

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It's Nice That | “I love the work I get to make. But I wish it didn’t seem so kooky”: Google Creative Lab’s CD Tea Uglow on the friction between culture and digital tech

..by default I am pro-technology. But I also present as an artist. I’m not a coder, nor particularly good at art, I just like potential. So as soon as I get hold of anything like this I basically try to mess with it. It’s like a default: move stuff about, try and glitch it, warp it, press all the buttons, see what happens.